The Film Baby Review: A Sharp Depiction of LGBTQ+ Brazilian Survivors Adrift in the Established Order

Capturing the metropolitan unease and dynamic spirit of São Paulo, Marcelo Caetano’s unflinching drama centres on those who inhabit the outskirts of an ever-changing metropolis. Newly freed from juvenile prison, 18-year-old Wellington (João Pedro Mariano) finds himself at a crossroads; abandoned by his parents, the innocent young man finds solace in the arms of others.

On an evening out with his boisterous group of gay and non-binary friends, Wellington meets Ronaldo (Ricardo Teodoro), a muscular, charming hustler over double his age. Illuminated by the pulsating light of a adult movie theater, their first meeting is sensuous and erotic, with an hint of risk. Ronaldo quickly introduces Wellington to the clandestine realm of the sex trade and drug dealing.

A Study of Empathy Instead of Sensationalism

Caetano depicts Wellington’s new life of crime with compassionate understanding as opposed to as a sensationalist cautionary tale. Now using the alias Baby, he approaches his transactional encounters with brash fearlessness and poignant gullibility. To his customers, Wellington offers more than his youth and his body, but also instances of tenderness.

In the hectic energy of São Paulo, teeming with crowded backstreets and brightly painted facades, there’s a deep-seated solitude, as rootless people hold fast to one another for temporary happiness.

"The urban landscape are fraught with peril, yet they are where they can discover chosen kin, too."

A Complicated Relationship of Love and Control

Ronaldo is simultaneously a partner and a protective father figure to Wellington, but their relationship is derailed by envy and financial instability. Intimidation from nefarious characters in the criminal underworld seem minor next to the dread of institutional observation and imprisonment, represented by the looming presence of police officers on patrol.

Baby is most powerful as a perceptive study of the forgotten souls who have been failed by the established structure. The film stands as a poignant exploration into resilience, found community, and the quest for identity within a demanding urban landscape.

Timothy Sanders DVM
Timothy Sanders DVM

A tech journalist with over a decade of experience covering software development and consumer electronics.