Helmed by Bristol sound co-founder Geoff Barrow, this scabrous though undernourished first film casts a critical gaze on the ecstasy-fueled club scene. Venal drug user David (the actor) first robs an passed-out supplier, then in another flashback tries to break into his own family home. Before you can say, he's overturned in the wreckage of his car in a woodland – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for city dwellers, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Confrontation
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to free himself from his safety harness, while awkwardly transitioning into flashbacks of his everyday life. The central theme – that the ecstasy generation were mainly focused on number one – is clearly conveyed. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Poacher turns up, fuming after David kills his dog. Nevertheless, a grimly amusing standoff takes hold – David eager to get away; the Poacher denying his container of cider, determined to dousing him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Stylish Imagery and Promo-Inspired Vibe
There is only one key story turn, but it leads to a hilariously staged rampage on the forest trails that veers toward folk horror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing artful shots of bugs in headlights in the opening part, he now goes all out with the full lysergic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.
Game releases in UK and Irish theaters from November 17.
